“The question is whether that is ethically right. “, it would be possible for an actor of color to play Abraham Lincoln and for me, as a middle-class white man, to play Martin Luther King,” Serkis said.
During an appearance at the 2019 IBC Show in Amsterdam, the actor and director put forth an idea that mo-cap could be “the end of typecasting,” adding, “, there should be great opportunities for disabled actors to play able-bodied characters.” Serkis stopped short from fully endorsing other examples. Serkis has often said mo-cap was heading in this direction. I think you will be able to play someone from history from photogrammetry and have a real Abraham Lincoln’s face that you’re playing rather than a sculpted one.” Serkis continued, “People have criticized me before for saying it’s like digital makeup, but it is becoming that. The 50 Best Sexy Movies of the 21st Century, from 'Spring Breakers' to 'X'
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And even going back and doing ‘The Hobbit’ after many years, Gollum in ‘The Hobbit’ was on another level in terms of facial capture.”Ĭlaire Foy Felt 'High-Maintenance' After Sharing Stunt Concerns Filming 2017's 'Breathe'Īndy Serkis Mocks Russian President Putin as 'Lord of the Rings' Gollum Character on 'Colbert'Ģ3 Controversial Film and TV Book Adaptations That Rankled Their Audiences and Authors “One would see that through, for instance, the ‘ Apes’ movies. “In terms of performance, capture, the method of facial capture is evolving all the time and the detail, the nuances in the end, the actual root performance that you get out of an actor, and the translation of that into the final thing is getting closer and closer,” Serkis said. In fact, Serkis said mo-cap is getting so advanced that it’s only a matter of time before actors can use the technology to wear the faces of real-life historical figures such as Abraham Lincoln. Serkis, whose performance as Gollum in Peter Jackson’s “The Lord of the Rings” trilogy is considered a landmark breakthrough for mo-cap, is in awe of how well the technology is advancing since his “Rings” days 20 years ago. Andy Serkis has riled up the film industry in the past for referring to motion capture technology as “digital makeup,” but he remains committed to that term while discussing the future of mo-cap in a recent interview with Total Film magazine.
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